Sunday, November 6, 2011
Recital Time
It's late fall and I always schedule a recital the Saturday before Thanksgiving. With two weeks left I have some serious questions to ask my student. These questions are conversations starters that help us think honestly about our performance pieces. (Click on resources and scroll down to Recital Time)
I have hosted close to 50 recitals in my teaching career and the anxious feelings never change. Some students don't get lessons started until late September and 8 weeks is a short time to prepare a challenging piece. Two weeks prior I wonder if they will be ready. But, they always pull it off and life goes on. Next week I will teach lessons at the recital venue and that is the real testing ground. We rehearse our piece, talk about the stiffer grand piano keys, and practice standing on the stage and announcing our name and the piece we are playing. Looking at the audience and talking is very hard for some. I feel pleased when these students overcome their fears.
Performance is an opportunity to share and show gratitude for those who sacrifice to provide us lessons. Those are the words I say when a student asks, "Why do I have to perform?" These words can sound lame to an anxious child but they are true to me. Thanks, Mom, for guiding me to the bench each day!
Friday, November 4, 2011
Fun With Measures
Explaining time signature is hit and miss with my 5-6 year-olds. I was struggling with the concept of the measure line with my first student of the day and failed miserably. Even when we worked in the writing book and drew the measure lines I felt I was not connecting. The next student was the same age and we were doing the same lesson. I remembered copying learning tools from Susan Paradis called rhythm blocks. This seemed to do the trick.
We lined up the cards into 4 count units using my colored pencils as measure lines. This allowed D. to find out what combinations make up four beats. Then we changed the time signature and only put three beats between fences.
Fences, measures, sometimes words make such a difference in communication. On some days I feel tongue tied and unable to say things that make sense and other days I am right on.
We lined up the cards into 4 count units using my colored pencils as measure lines. This allowed D. to find out what combinations make up four beats. Then we changed the time signature and only put three beats between fences.
Fences, measures, sometimes words make such a difference in communication. On some days I feel tongue tied and unable to say things that make sense and other days I am right on.
Monday, October 24, 2011
Dancing at the Pumpkin Party
Dances are a huge portion of the repertoire in piano pieces. I often ask my students which they think came first, dancing or music When I taught Kindermusik Young Child the curriculum called for learning circle dances. I had a small space to work in but I found my 4-7 year-old children loved dancing My MFPA Lesson Book B has a cluster of dance music right around Tucker's Secret Life. There is a boogie, a bop, and a folk dance. My goal at this younger Pumpkin Party was to prepare my students to accompany these dances. I taught them to start with an introduction to ready the dancers.Then the challenge was playing smooth enough for us to sing and dance with the accompanist. This is not easy for these 5 and 6's. It required weeks of practice on these songs. But it worked and it was the best activity of the hour.
We danced around a big gathering drum which represented a birch tree to the piece "Russian Sailor Dance". We moved right, then left, and finally stopped and beat the drum through the second line of the song. Tucker was all over the boogie dance. He had some smooth moves.
I brought back the game Mr. Music which everyone loves and introduced the quarter rest. In the game asking for a rest or being told to rest meant you could not move from your spot. Ah, to have a bit of power is so stimulating.Thanks to T. who was my student helper for one if the parties.
We danced around a big gathering drum which represented a birch tree to the piece "Russian Sailor Dance". We moved right, then left, and finally stopped and beat the drum through the second line of the song. Tucker was all over the boogie dance. He had some smooth moves.
I brought back the game Mr. Music which everyone loves and introduced the quarter rest. In the game asking for a rest or being told to rest meant you could not move from your spot. Ah, to have a bit of power is so stimulating.Thanks to T. who was my student helper for one if the parties.
Friday, October 7, 2011
Pumpkin Party Group Lessons
I am taking all the songs around "Pumpkin Party" to the bank in two weeks time as this becomes the theme for group lessons.
I hope this is entertaining for you as I review my plans.. I value all my blogger piano friends who give me their great ideas.
Title: Pumpkin Party
MC: Tucker
Goal: Review patterns from A-G
Let everyone play a piece
Expose the students to accompanying
Share some pumpkin cookies
Agenda:
Sing Pumpkin Party with one child playing
Have Tucker greet each child and give each of them a ticket for the A train
bound for Piano Adventure Land.
Get on the "A Train" with one child playing- circle dance
Find the missing patterns around the room
Each child plays their pattern on the piano, the keyboard, or the I-Pad Piano
Tucker shares his secret life
Sing while one child plays
What are the dogs dancing?
A-B Bop- circle dance with one child playing
Russian Sailor Dance- with one child playing
Match the notes- Call out a note name and everyone tries to touch the
note card in the middle with their mini spatulas
Have a pumpkin cookie
Invited: Five MFPA students
I hope this is entertaining for you as I review my plans.. I value all my blogger piano friends who give me their great ideas.
Title: Pumpkin Party
MC: Tucker
Goal: Review patterns from A-G
Let everyone play a piece
Expose the students to accompanying
Share some pumpkin cookies
Agenda:
Sing Pumpkin Party with one child playing
Have Tucker greet each child and give each of them a ticket for the A train
bound for Piano Adventure Land.
Get on the "A Train" with one child playing- circle dance
Find the missing patterns around the room
Each child plays their pattern on the piano, the keyboard, or the I-Pad Piano
Tucker shares his secret life
Sing while one child plays
What are the dogs dancing?
A-B Bop- circle dance with one child playing
Russian Sailor Dance- with one child playing
Match the notes- Call out a note name and everyone tries to touch the
note card in the middle with their mini spatulas
Have a pumpkin cookie
Invited: Five MFPA students
Tucker, you are an inspiration!
Tuesday, October 4, 2011
Teaching My Own
Teaching has become as natural as swimming
for me. Now I have to explain that I swim seasonally, with great anticipation,
and with some anxiety. I have to convince myself that my appearance is
acceptable and get over the "what will people think" syndrome. Once
that is under control I just jump right in and glide through the water, knowing
that I was meant to be there and pulling in all the sensory information I can.
Teaching is exactly like that. I love diving into the depths of what I teach,
but more satisfying is watching the faces of my students, looking for signs of
curiosity, engagement, and delight. From thrashing
through waves of "what should they know" has come the stillness of
"what will they be".
My own children have been the tadpoles for developing my teaching style. Oh, I went to college and learned the theory
but that did not make me a good teacher. Sitting tall on my own piano bench
with The Fidgeter, The Swooner, and The Sponge, was the real forge of my teaching
ability. The Fidgeter went on to dance lessons, the Swooner to the I-Pod, and
The Sponge learned all I had to offer and culled knowledge from several other competent
teachers.
Can a parent be a good piano teacher? Well, I thought the word parent
and teacher were synonyms. If you have children, you must teach. But often a
parent and child collide with differing agendas. Here is what I learned from
teaching my own.
From The Sponge I learned to be
consistent, to listen to his heart, and to make him learn his notes. Being
consistent was a difficult challenge. Habits were hard to make in my day to day
living. In other words, I rarely did the same things day after day. My first
hurdle was finding a regular time for him to practice. I saw the power of holding
time aside for piano every day. In that hour of the day nothing else was as
important. The second hurdle was teaching him on a consistent day and treating
him as a paid piano student with a scheduled lesson time. This young boy, The
Sponge, was very quiet and mostly compliant. That sounds ideal, doesn't it?
Actually, because he was not as vocal as my other children I found I had to pay
more attention to his non-verbal signals. Learning to see into his heart became
possible as I asked more open-ended questions and listened patiently. He had a
very willing ear and wonderful short-term memory. Reading notes was too tedious
so he memorized everything which served him well until he wanted to learn
Beethoven. By this time we hired a piano teacher who gave him an ultimatum;
learn to read notes or don't come back. I felt I had failed him. He told me he
was quitting on the ride home in the car. She had wounded his pride and I felt
remorse for not being more dogmatic about drilling with those flash cards. The
harshness of her tactics did the trick. He proceeded to practice note-reading
via computer with a vengeance. After two weeks his musical life took a new
path. The code was broken and so he started sight-reading everything in his
grasp. When he quickly proved that he did not need reminding to play, I faced
the challenge of biting my tongue and not telling him to stop practicing. There
came the point when silence was more than golden; after hours
of teaching it was essential. We cleaned out a shed for The Sponge and put in a second piano. He became a wonderful pianist and a willing father as well.
Now on Mondays I pack up my I-Pad, my
stickers, some small candies for bribes, and colored pencils and go off to
teach my grandchildren.
I have three students in one family. It takes about
three hours because they like me to stay for lunch. I am applying the same
lessons I learned with my own child. Teach them on the same consistent day,
listen to their different needs, and drill those notes. I am more of a novelty
as a grandmother because I don't hound them all day long but it would be easy
to get relaxed about the routine. I find that I must be stern about following
through with practice goals and I challenge myself to do the unexpected to keep
them interested. A puppet comes to visit now and then makes lessons playful and
full of promise. I see good follow-through on their parent’s part and I know
piano lessons are valued in their home. In the future I'm sure I won't be
saying,"Gee, I wish I had not spent so much time teaching my own".
Jumping right in and gliding through the challenges of being a mother and a
teacher has made me a better instructor.
I do care about what all my students should know, but I have a lot invested
into what my children and grandchildren should be. I hope music is a pathway to
expression for them and I hope music teaches them to have eyes to see, ears to
hear, and hearts that are open to beauty.
Friday, September 30, 2011
Bass Clef Patterns
Some of my off the bench activities include my kitchen floor, not far from my studio. I have been using my black ropes again as I teach the bass clef notes to MFPA Book 2 students. They need to experience the staff in many ways to understand the concept of the staff and the clef signs.'Learning a concept must be reinforced bu using the concept in varied contexts." Marienne Uszler
Sometimes figuring it out is exciting.
October will bring group lessons back and I know the MFPA students will be having a Pumpkin Party where Tucker the Dog will want to hear every ones rendition of Tucker's Secret Life. This is such an engaging title and I have taken this about as far as I can go.Yeh Tucker!
Sometimes figuring it out is exciting.
October will bring group lessons back and I know the MFPA students will be having a Pumpkin Party where Tucker the Dog will want to hear every ones rendition of Tucker's Secret Life. This is such an engaging title and I have taken this about as far as I can go.Yeh Tucker!
His song is making my practice incentive art project into a real art display. We are adding sparkly paper shapes as we log into the 300-400 minutes of practice.
It started out blank and then grew to this. Artistically this is pretty cool. My students are thinking about where to place their color and what shape they want to use. It should be very interesting to see it at the recital in November.Friday, September 23, 2011
Big Dog Boogie
My First Piano Adventures Book B students are all playing, or have played, Tucker's Secret Life.This big dog boogie is a big hit in my studio.
What a great way to introduce the next rhythm pattern I want to highlight. CBAGFE will get much attention as we find different ways to drill this group of notes.Using the white board on my I-Pad, we locate and draw the CBA. The stylus makes drawing so much easier. Thanks Pianoanne for the heads up.
Next we drill with Note Goal Pro on the I-Pad which has added a new tutor option of showing notes in sequence.
Then with some weeks on seeing these notes as steps we will practice them on Note Squish.
The great sequential lesson book and my added enrichment is making better progress than ever before.
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